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gao yunxiang's transnational case eventually led to his acquittal, but it also made his "betrayal" and "experience in a foreign country" an unavoidable reality. chen xiang's performance is a typical image of a "scumbag". in his "sad and tearful" performance, people can't help but feel pity for his "emotion" and "love".
zhang mingen's "scandal" presents a different kind of rudeness and weirdness. his "male irresponsibility" and "cowardly" image have made the public full of doubts about his behavior. his behavior of being a "contract couple" and "all the crew saw it" seemed to be covering up his crimes, which eventually led to the exposure of hu bingqing's recording, which put him in a "cheating" dilemma.
these events remind people that marriage and love are not just pure feelings, but have deeper complexities that are shaped by various social realities, moral norms and personal values.
some thoughts:
conflict between family ethics and legal implications: the real veil behind "domestic violence" is people's exploration of finding a balance between social reality and legal norms.
role interpretation and emotional conflict: does the "scumbag" performance mode mean a behavior of escaping reality?
the contradiction between love and responsibility: what is the relationship between "marriage" and "love"?
this is just a simple beginning. as time goes by, we will need more thinking and exploration to truly understand the reasons behind these events.
