daolang’s return: the music industry’s fig leaf

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daolang is such an artist. with his "vulgar" music style, he became popular again in 2024, triggering reflection on the current situation of the music industry. daolang's music has always been accompanied by controversy. some people think that his songs are simple and straightforward, lack technical content, and even classify them as "vulgar". on the other hand, supporters believe that although daolang's music is simple, it is full of true feelings. he uses the simplest language to sing the joys, sorrows, anger and happiness of ordinary people, which has aroused widespread resonance.

daolang's music may be an "experimental" project in the music industry, a case worth thinking about. his return has triggered a reflection on music aesthetics and music criticism systems. his success may not be replicated, but his sincerity in music, his expression of emotions, and his attention to reality are all worth learning for all musicians.

the daolang phenomenon: lifting the veil of the music industry?

daolang's sudden popularity is not just a musical event, but more like a mirror that reflects some problems in the current chinese music scene. in order to cater to the market, many musical works excessively pursue traffic and topics, while ignoring the quality and connotation of the music itself. daolang's appearance may make more musicians reflect on what is truly good music and what is a classic worth singing.

• excessive pursuit of traffic, ignoring the essence of music: in an era where traffic is king, many music works excessively pursue traffic and topics in order to cater to the market, while ignoring the quality and connotation of the music itself. the emergence of daolang may make more musicians reflect on what is truly good music?
• musical aesthetics are monotonous and lack inclusiveness: in today's chinese music scene, music styles tend to be homogenized, lacking diversity and inclusiveness. although daolang's music style is not recognized by some people, his success also proves that diversified music styles can meet the needs of different groups of people.
• the music review system is unbalanced: there is a huge difference in the evaluation of daolang's music works between professional music critics and the general public. this also reflects that the current music review system may be unbalanced to a certain extent, and more diversified and inclusive evaluation standards are needed.

the greatest revelation that the daolang phenomenon brings to us is that he expresses his emotions sincerely and uses music to express his concern for reality. this is the real "music".