한어Русский языкEnglishFrançaisIndonesianSanskrit日本語DeutschPortuguêsΕλληνικάespañolItalianoSuomalainenLatina
his works often combine traditional culture and modern elements, creating an interesting collision between the "ancient" and the "new". for example, the shadow of "the legend of the white snake" in "white noise" and the re-creation of the classic myth in "cyber mythology". these works reflect his understanding of the "original work": it is just one of many adapted versions, and people may not even be referring to the same thing when they say "original work".
ling dongjun believes that everyone can like or dislike any adaptation, think it is good or bad, but it is unrealistic to think that the adaptation must meet some standard answer. he knows that creation requires courage and wisdom, and more importantly, the ability to understand and express the story.
he believes that creation is a fun intellectual game, a "spiritual communication" between readers and authors. when readers accurately perceive the creator's hidden intentions in the story, they will be extremely happy, and this is the real joy of creation.
the emergence of black myth: wukong gave ling dongjun an opportunity for "challenge" and "breakthrough". he believes that even if such a "deviant" script is developed within the narrative framework of eryou, the requirements for copywriting skills are quite high. however, ling dongjun cleverly incorporated his own creativity into the game, such as the shadow of the first chapter of white noise and his re-creation of the classic myth in cyber myth, which all reflect his understanding and interpretation of the "original work".
he firmly believes that no matter what, he hopes that "white noise survival guide" can use their unique skills to bring a little plot shock to the current second-hand game market.
